Stela Review

Stela Is An Indie Girl:

The artsy minimalist platformer has become to indie gaming what the FPS is to triple A. Ever since Limbo brought its gloomy sensibilities to digital marketplaces, the indie scene has been littered with these quiet, minimal experiences. From the dark kafkaesque world of Inside to the beautiful moving water painting Gris, these short, gameplay lite experiences have become the de facto face of indie gaming over the last few years. Adored by critics and fans alike, these games often forgo in-depth gameplay, with a larger focus on visuals, sound, and narrative they stand out as artistic works in a medium often derived for a lack of such merits.

It seems strange for such a low key style of arthouse game design to become a trend. But, with additions like the Garden’s Between and Ori and the Blindforest, it feels like the arty platformer has become like the coming of age genre in film for indie gaming. And with the recently released Stela by Skybox Labs it’s clear that this formula, even as it becomes a formula, still works and when done right can still offer stunning and artistically potent moments that are hard to find in any other avenue of gaming.

Seeking Truth:

It feels like Skybox Labs is more interested in delivering an experience than a game. It’s in the world, graphics, sound, and music where Stela’s basic gameplay turns into something beautiful. Stela’s dark and tonally scattered world can be graphically inconsistent at times but it manages to be consistently beautiful throughout. There were multiple times throughout my playthrough where the games graphic style left me in awe and in its later levels I was stunning by the scale that the game takes from its humble beginnings. After finishing the game I was shocked to find out that it originally released on IOS, a point that makes its graphical ambitions all the more impressive.

The Sound Of Danger:

What truly stood out though besides the game’s art style was the incredible sound/music design that really elevates the game’s immersion and gives multiple scenes far more weight. Often times the music and sound design mix resulting in moments that can be terrifying and others awe-inspiring.

The heavy bass booms that kick in when danger is around or the sweeping low rumble that played as I gazed at a snow-capped temple. The soundtrack for Stela is phenomenal and it truly elevates the experience of playing the game overall, though its hard to imagine listening to these heavy, eerie tracks outside the game itself; the soundtrack becomes a part of the flow of Stela’s levels and world.

We’ve Been Here Before:

So given how stunning Stela can be at times, it seems weird that the biggest negative is what I mentioned at the start; I’ve had this experience before. It seems almost unfair that Stela’s biggest detractor is external, but it can’t be denied how much Skybox Labs are riffing on their influences here. When the execution is so strong though, the effect, despite a lack of originality, still managed to be impactful.

However, when it becomes a question of worth among its peers, I do have to wonder if I could recommend Stela over Gris or Limbo if the options weren’t available to play all. Couple that with the fairly hefty price tag of £15.99 ($19.99) for what is essentially about a two-hour-long experience.

This issue of price for quantity isn’t so much a problem for me, I feel a short experience justified its price by how meaningful those hours are; apposed to a long game with meaningless length. But I know that some don’t see it that way and that others financially often can’t justify what is essentially the price of three cinema tickets for the length of less than a feature-length film.

Conclusion:

Stela is a really beautiful experience. I pretty much played the entire thing in one sitting and those two hours felt like a breathless, otherworldly experience. All of its elements come together to transport its simple gameplay and strange designs into something that at times embodies the perfect synergy of an engrossing gaming experience. Though a few of its puzzle and platforming sections felt a little loose, and it might not feel as original in 2020 as it would have a few years ago, when it comes together the effect is undeniably stunning.

A recommendation of Stela comes mostly down to the kind of gamer you are. If you have a love for artistic, minimal experiences over complex gameplay intensive ones you’ll likely find it worthwhile. If you’ve played games like this before you already know the transcendent effect they have when their elements come together. When I watched the credits roll on Stela I felt like I’d experienced something special and worthwhile. And, I guess that’s as much success as any art can ask for, right?

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